Cher Phillips

Views on online media and journalism

Soundslides 3

My Soundslides 3 assignment is posted.

This story was made in the spirit of I.F. Stone. So when I think about how boring the pictures are, I’m going to remind myself that Stone never would have been concerned with images.

I’m going to be oblique in this post, to try to avoid the Google spider. I want to talk about my story experience without it being searched up and discussed by the powers-that-be.

I had a really hard time with this story.

Starting off, the day after we locked into our topics, I get an e-mail from the council president telling me that the town won’t allow a tour of the plant and none of the officials would talk to me. What can I say? I’m not real popular on town because of the blog.

I never should have pitched something for a grade that had to do with the town. But it seemed like I was going to get access. Believe it or not, I’ve been OFFERED access to the plant in the past. The freaking radio station transmits from the plant.

So by the time I got the first e-mail from the prez, I’d already contacted the mayor asking to nail down a time for the interview and tour. He decided to meet with me anyway. I heard back from the council prez — he said it was a security issue. I might give away the town’s water plant secrets. Ironically, I already knew about some of them from hearing them discussed at meetings. The rest were detailed in the various paperwork I’ve collected from the last two years. But that issue I understood.

My interview with the mayor… at first, I thought it was going pretty well. He was a talker. Colorful. It was in his kitchen. His wife HATES me. Not hate with a little ‘h,’ either. She called me this summer on my cell after I wrote a story about some school meetings not following the Sunshine Law. She was so offensive that I told her to write me an e-mail and hung up on her. And hanging up is rude. I don’t believe in it. But I also don’t believe in being blindly abused. So, it was a fun reunion. She didn’t speak to me very much.

I had my questions. Typed, ready for me to jot times in… He walked around most of them on his own. What I wanted was pretty simple. But then I got to the inconsistencies. He talked about water tables that I am pretty sure don’t exist. I’ve been doing some serious reading on regional water of late and nothing he said about that jived — at all. Clearly, it’s not usable. Not like it would have fit into two minutes, anyway.

Then, there was the veiled threat. He’s not a violent man, he says, but when he gets angry “blood flies.” I thought he was talking in generalities about the kind of man he was and all… he said “if you lay a hand on me…” I thought he meant “you” like in the collective you form. Like y’all and ustedes. Then, it kinda dawned on me that the man was sending me a message. I said something like – oh, I don’t ever put a hand on anyone. He clarified pretty clearly that if I crossed him, he’d defend himself or get someone else to.

Good times. I don’t scare easily. When it comes to bullies, I seem to be missing the intimidation gene. It pisses me off instead, makes me more determined. Sends up my “look-there’s-a-story-here” radar.

As I progressed through this story, the grapevine was saying something entirely different in regards to the water plant. Unfortunately, you can’t quote the grapevine. Point being, word is they’ve had the water plant worked on because it’s in pretty bad shape. People living near it reported there were workmen there this week. I had to wonder if just asking the question freaked them out enough to work on the issues.

I guess it’s not surprising that it’s in bad shape. I’ve suspected this for awhile. I’ve been going to council meetings for two years. I pay every month for copies of the financials, etc. It’s no secret that they’ve not put alot of money into the water plant until recently. It’s also not surprising that this did not come out in the interview with the mayor… you know I asked specifically.

Another thing that’s new is the fear factor is heightened. The town has its own little yellow, orange, red fear factor level alert. Another group in the grapevine started talking to me one night about town issues, water issues, then after it got dark and they realized anyone could be on the street listening to them, they kind of freaked out. So, recording that stuff is not an option. I hate fear. It stinks. Literally.

For me, this would have been a better in-depth written story. People will more easily go on the record without a mic in their faces. There were a couple layers of depth involving the condition of the water plant that I had to drop from the story due to time — when I really think that’s the more timely issue. But the dilapidation is symptomatic of the issue of the rates. But it’s the most serious issue at hand, I think. But the rate focus works better with the other research I am putting into the graphic. So, you give things up.

I might write more about this later. I might also delete it. Like I said, I’m being purposely oblique about this. Anybody know if I can make this viewable to only y’all?

A Season to Grow

The Union Street Farmer’s Market moved from behind the Hippodrome Theatre to the Gainesville Downtown Plaza in October.

I spoke with a retired UF professor Leo Polopolus who says he promoted himself when he retired from full professor to farmer.

Polopolus explains how their reasons for forming the market make it the diverse market that it is today.

phillips_photo2_22.jpg

(Click on the image to view my slideshow 2 assignment.)

Kobre C & D — tagged to remember

Section C

Photo Story

Oh, the boob pictures upset me. I call the Kobre book “the Butt book” in my office, because it seems like the danged thing has someone’s naked rear end, or other part is every chapter. Not that I’m complaining. But I’m also excited to get books in the mail and opened this book in the McIntosh Post Office. I was flipping through it and page 86 fell open showing the full page image of the kid playing with the other kid’s bottom. There were little old ladies in the post office with me, and I had to slam the book shut before someone in town dubbed me a sicko for looking at nekkid kid pics in the post office.

Anyway. The breast cancer pictures chapter 8 really worked me over. The crack babies in chapter 4, along with the torture victim on page 74 were up there on my I-have-to-look-but-I-need-to-cringe-while-I-do-it list. I think the thing I like about photojournalism is its raw honesty. Even the nekkid parts. I hope we never get to a place as a society where we don’t put that out there, or put ourselves out there, because we’re so afraid of upsetting the readership.

Newspeg. This is what I feel like our soundslides are missing. It doesn’t feel like journalism to me with out a newspeg of some kind. Maybe soundslide three will feel different since there’s an issue involved.

Motel Dad. I’ve seen this online, but the images in the web package didn’t include some of the images in this photo project.

Section D

Lighting: I always wondered why they sold photographic filters. I knew that anything I took under fluorescents came out kind of green and had to be corrected in Photoshop. Although, I have to admit that I would have to have a key to carry around to figure out what filter goes with what type of light. I also never realized that normal lightbulbs are called tungsten bulbs.

Web: Do platypuses have pouches? I looked them up on Wikipedia but couldn’t tell. From the reading… if a journalist is going to fill so many roles as a platypus does, it sure would be nice to have a pouch to carry around all this crap in. It makes me a little scared to learn video.

Law: I love the graphic on page 281 of where is OK to shoot and where it is not. I need to print that out and put it on the other side of the “what filter to use” sheet. Kobre wrote, “Press passes entitle you to nothing.” Just because you’ve got the clearance to shoot it doesn’t make it legal. Having no OFFICIAL press credentials… this sentence made me feel a little better after reading the first tip for avoiding jail, which is to always carry your press creds.

Digital Darkroom: I learned Photoshop when I was still at SFCC by working the overnight shift at Target Copy. You wouldn’t think that’d be a great way to learn it, but you’d be amazed at how fast you pick up how to fix miscellaneous issues in PR campaign projects at 3 a.m. so they’ll print right. Everything else has been self-learned trial and error. I never picked apart an image to correct like the book shows in the step-by-step guide. But I’m going to give this a try, I think.

And, oh yeah, cropping — I always need to be reminded to crop aggressively.

Soundslide Critiques

Bikes and Repairs at UF

1.  Is there a real story?

Per se, no.  But I do think the soundslide illustrated well how and why the interviewee works or the Free Student Bike Repair.

2.   Explain…  For instance, when Ian was talking about racing bikes, I found that I wanted to see him work on his, or ride in different scenarios like commuting and racing.  Although, this might have pulled away from the focus of the bike repair shop.

3.  I don’t think that Curt’s intro could be a traditional hook to a storyline, no.   But again, it’s serves the purpose of helping us identify Ian throughout the rest of the piece.

4.  Ian introducing himself explains who he is, but it’s not necessarily the kind of lede that grabs you.

5. Yes, I liked the ending, and it did have a firm closing feel to it.

6.  I think the close in part because of the image of Ian and a woman from the back walking away, accompanied with the audio track indicating that bikes were going to be part of his life for a long period of time.  Kind of a feel-good ending.

7.  I think this story overlapped between campus life and profile mainly because we don’t leave campus in the telling of the story, which makes this differentiation kind of difficult.   So, roughly: this story is 30 percent about bike repair and 70 percent about a bike mechanic.

8.  Perhaps another way of focusing on the story rather than capturing a sense of the bike repair service, which Curt does very well with his photos, would have been to ask Ian more questions about what day-to-day life is like repairing bikes and include a greater percentage of those comments in the interview.  How did he learn to fix bikes?  What was the worst bike repair he’s ever had to take on working there?  I also would have like to hear some bike wheels spinning and other clicking-clacking bike sounds.

9.  As hokey as this might sound, I’m really digging the sound quality of his interview and the smooth editing.

Spread Out

The University of Florida Policy Debate Squad Captain Amanda Kelly explains the challenges of policy debate, including spreading — a debate technique of accelerated speaking that’s three or four times faster than normal speech. Kelly shares how being part of the UF Debate Team formed her experience as a UF student.

UF Policy Debate Squad

Click on the image to view a Soundslide focusing on the policy squad.

Photographer tackles suspect: what would you do?

I know this is revisiting the ethics issue, but I saw this video on CNN.com this morning about a Maine photojournalist Russ Dillingham, who jumped into an assignment and tackled a man running from the police.

John Roberts mentions a Maine state statute that says citizens are required to oblige if police order them to assist in catching or keeping a suspect from escaping. Interestingly enough, the photographer said he wasn’t aware of that law but was cognizant of his ethical responsibility to not become involved in something he’s reporting on.

I also thought it was interesting that the suspect later contacted the photographer wanting to know why Dillingham helped the police catch him. The suspect told the photographer he would have fought him off if he’d known he wasn’t a cop and wouldn’t have faced charges of assaulting an officer.

Check out the video. What would you do in his shoes?

Fresh eyes, story shape

In class last week, Brittany and I pulled up our Photo 1 assignments, excited to showing someone else the images we’d collected.

My subject is the UF Policy Debate team. When I was picking the images for Photo 1, my criteria in choosing each picture was “Does this tell me something about the team?”

To me, all the images seemed very different.
But I realized this didn’t necessarily come across the same way to someone who wasn’t there when I was taking the pictures. It really hit home when I showed Brittany the pictures I’d taken. I knew what the team members were doing in the images because I’d been there.

Mindy had sent some great feedback that caught some things I needed to collect in later shoots to have a better final package. One point was a good number of my images were taken from the same distance.

Most of the pictures were of students were standing here and there from the mid-thigh on up. I shot the images in two sessions for Photo 1. The first was while the team was packing up their evidence for a tournament one night, and the second caught them packing the van the next day. Each of the four squad members packs a giant Rubbermaid tub full of accordion folders with evidence from news clippings and articles on a central theme. They each prepare a 10 minute argument that they read like an auctioneer, which they call spreading. I chose this subject because I had absolutely no understanding of this kind of debate and the spreading sounds cool.

But sounding cool doesn’t necessitate a variety of images.

In the following image, they’re preparing evidence. I chose it because of the flurry of movement with the paper.

Prep

One of the problems with debaters is that they don’t seem to be sitting down very much. They’re packing or arguing. Shooting and recording a practice debate the other day, I overheard their coach correct them and ask them why they shouldn’t sit when they’re cross examining an argument. The answer: sitting puts the person standing in the room in a power position.

I ran into some challenges with the size of the room. There were some pictures I took from the center of the room that I just don’t think I’ll be able to use because I was in the reflection in the window.

Debate doesn’t have that many dangers. But paper cuts can be one of them. On that same note, there’s not a ton of variety of action for debaters. So, I was pleased to catch Amanda nursing a nasty paper cut. Although, she wasn’t too happy about it.

Papercut

The good thing about the timing for the Photo 1 assignment was that I had a chance to go back and get some of the detail shots and some variety that Mindy mentioned I would need at a later photo shoot. I was able to get some close up detailed shots of the coach’s timer during the debate. Time is a key element in their work, so my hope is to be able to weave that into the slide show later.

So far, I’ve collected about 1,800 images. I’ve figure out that I cull them down by viewing them in the Windows viewer. Anything that works for me, I pull into a file I call “decent.” Then, I use screen shots to print a thumbnail sheet on 11 X 17 black and white paper. After that, I circle the ones I want to tell a story. I can number them and scribble outside the lines with paper.

Soundwise, I’ve collected about two and a half hours of practice debate, which will serve as ambient sound. Due to the team’s travel schedule, I’m still waiting on my main interview with the team captain.

I feel a little unsure because the shape of the story is still not very clear to me. I don’t know how to explain this in any other way. When I write, I can feel the shape of the story in my head, logically and stylistically. At times, when I’ve been unsure of the story shape like I am now, it’s a signal that I need do to more reporting.

I’m hoping after I get my audio logged and the photos organized, this feels like it’s got more of a shape.

PTR: Sept. 27 read, examine, listen

READ

PTR: (Points to remember)

1. Videomaker

  • Natural sound makes scenes seem more real, gives them context
  • Abbreviations: “NAT SOT” = natural sound on tape, “Sot Full” = full volume sound,”BG” = background sound and serves as the glue for the rest of the audio

2. Newslab

  • Figure out your story structure early
  • Look for the strong close asap
  • leave an extra recorder running for wild sounds
  • mic the peeps
  • ask double-barreled questions to get ‘em talking, make observations — sounds like natural conversation and easier for them to respond
  • collect sounds from different location
  • it’s OK to look stupid — like any reporting
  • collect more than you’ll use – like any reporting
  • OH! log your sound before you edit

3. Transom

  • Comparisons of eight mics – all too expensive for me right now
  • I liked mic B – the Condenser hypercardoid
  • Handheld is better than a lavalier and the transom people can’t spell: “…they’re almost alwasya a comprimise.” [sic]

Examine

Chicago Tribune: The Art of Listening

I didn’t like the intro on this. For some reason, Jesse explaining herself seemed out of context to me. The last two-thirds of the sound slide was smoother. In the Jesse intro, the lack of images and long pauses in the transition from image to image didn’t make sense. With the images of the animals, it gelled. My question: would it have been better with the statement “I’m Jesse” at the end? Or set back a little? The structure didn’t work for me. The quality of the recordings of Jesse weren’t as good as her recordings of ambient sound. That leads me to another point. It seemed like most of this work was Jesse’s and not Matt Pope’s.

Listen

NPR: Studying Koala Mystery

Normally, there is something about the sound of NPR that makes me feel … like I am in a vacuum. Therefore, the ambient sound, birds and walking, in the koala piece is nice. You can hear a number of different locations, too. But am I going to hear a koala at all? Ah, finally. And they closed on the koala. Very smart.

Photo editing: GIMP

My brother Tony suggested an open-source, photo editing program to me yesterday, GIMP — the Gnu Image Manipulation Program.

He said Kathy, my sister-in-law, uses it in addition to Photoshop to retouch images. She worked as a freelance photographer, shooting weddings, etc. They both work for a prominent photography corporation, although not as photographers. Tony said Kathy’s used GIMP to put hair on a bald man and completely remove someone from a picture.

Granted, I realize photographic hair implants are a big no-no in our world.

But I was very intrigued by the idea of Photoshop-style shareware. Adobe programs can be really expensive, and it’s hard to find huge chucks of lab time if you don’t have the program at home.

I downloaded GIMP today and checked it out. It’s got most of the same things Photoshop does without the price.

I edited a photo I shot last week for my assignment.

GIMP test

I was able to use an auto color feature, as well as adjust the levels and curves manually. I cropped, adjusted image size and resolution. One thing I found that was missing is the save-for-web feature. It also did a weird export thing when I was trying to save as, at one point. Since I didn’t read the directions and just jumped in, it could have been a user-interface error. (My bad!)

Otherwise, it’s a decent, cheap version of the real thing. Hot keys like control-z, etc. even seemed to work in GIMP the same way they work in Photoshop. I found it to be comparable to PS, especially since GIMP is free and Photoshop costs $400 on a good day with an education discount. (Actually, I found it on sale for $289.)

There were a number of different places you could download it. I choose the automated installer for Windows, and I downloaded their GTK+ 2 Runtime Environment first. If you are interested, you can click through the windows to find the download. I also noticed that GIMP is available is a wide number of other languages. I had to look to find English when I installed it.

I know Kathy uses a Mac with PS and with GIMP. I’m a PC girl, myself. But Tony says she really likes it.

I’d love to know if anyone else has had experience with GIMP and what you think.

Online images: the other option for graphic images

I’d be interested if this thought occurred to anyone else when they were doing the reading this week.

I was reading about the selection process and graphic photos, specifically the suicide of R. Budd Dwyer that the editors around the country choose not to run. My initial thought was this: “Oh well, I’ll just Google them on the Internet.”

Maybe it’s me, but I always tend to want to run the more graphic picture. I don’t think it’s because I am grotesque. I just like the idea of getting it all out there for people. I like knowing more, understanding as much as I can about a story. So, I tend think other people want that, too.

Does anyone remember when the Mohammad cartoons that were inciting riots around the world? I followed this closely and was grateful for the sources who put that information out there online so I could find it, see it and know more about the source of all the angry reactions in the world.

I kind of feel this way about a number of images.

I guess I have to wonder if maybe this isn’t part of the role of bloggers and others online, to tell what the newspapers won’t tell to keep from upsetting their readership? Kind of like Sanam’s friend, Arash, who gets images out there that would otherwise be lost to the world.

Thoughts?

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